“Tradition”? Finding Surprises in Christmases Past

Those age-old Christmas “traditions” we revel in – how traditional are they really? Whether we celebrate the holiday or not, most of us consider Santa Claus, Christmas trees, and paper-wrapped gifts almost timeless. But like the American melting pot itself, many holiday staples came from overseas and changed over time. See for yourself how customs change, during the festive installation, Red, Green & Gold, The New and the Old, running through December, as Tudor Place “Sparkles for Christmas” — on view during all regular tours and seasonal programs.

Throughout the 1816 mansion, compare nearly 200 years of celebrations with your own winter pastimes and family gatherings. And feast your eyes on sparkling décor that imagines how it would have looked if the home owners, the Peters, were decorating today. You will leave with much to think about and appreciate!

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In the Drawing Room mantel, ornament trees flank the French ormolu-and-enamel clock.

This creative installation melds 21st-century decorations and Peter family collections to celebrate the Washington-Custis lineage and contemporary flair. Few written descriptions or photographs show how or if the Peter family decorated, so our Collections team drew inspiration from the family’s interest in horticulture and nature. That’s why you’ll find lush greenery and more than 100 feet of lights alongside classic standbys like the circa-1910 goose-feather tree and fragile but playful pressed-paper ornaments made more than a century ago.

The weeks leading to December 24 appear to have been far quieter than our modern hail of festivities and engagements. As a student at Saint Albans School, Armistead Peter 3rd in 1914 described dinners, dances, and other family socializing at Tudor Place that commenced only on Christmas Day and ran through New Year’s. Still, the Peters lavished great attention and expense on their celebrations. Grocery invoices from 1926 in the archive show that they spent $322.88 – about $3,500 in 2013 dollars – on Christmas and New Year’s dinners alone.

In the 1920s office, you will find holiday greeting cards, also from the Archive. Though Christmas cards have been in circulation since the mid-1800s, they became a holiday ritual only in the early 1900s, supplanting the practice of giving small trinkets to friends. Another use for paper in the late 19th century was for small candy holders; vintage examples of these chromolithographs are also on view in the office.

In the Children’s Bedroom upstairs stands the goose-feather tree, imported from Germany. The tradition of live and faux indoor trees came from Europe in the 19th century, but mistletoe and holly sprigs were already popular here for decorating. Vendors began selling decorative greens in quantity at public markets in Washington in the 1870s and 1880s. You will see them in the house today and might want to pass with someone special under one of the mistletoe “kissing balls” that hang between the Saloon and adjacent reception rooms. In 1923, with the spread of electrification well underway (Tudor Place was wired in 1914), President Coolidge lit the first “national Christmas tree.”

Under their trees at home, children in the late 1800s might have found books, dolls, roller skates, sleds, baseball mitts or board games. Many such items are preserved in the Tudor Place toy collection, and you’ll find them beneath the feather tree. It was only in 1900 that paper gift wrap began to appear, usually in solid colors. (White tissue with red ribbon was most popular.) In the 1920s, however, printed patterns emerged – you can view examples from the 1950s in the Servant’s Sitting Room.

Felt stockings on the Parlor mantel today would have first appeared there after World War I and were probably purchased by the two last generations of Peters to live in the mansion, Armistead Peter 3rd, his wife Caroline Ogden-Jones Peter, and their daughter Anne. After opening presents on Christmas morning, the family would have retired to this room for a late breakfast and tea.

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In the Servants’ Sitting Room, wrapping, polishing, and seasonal magazines.

Tudor Place domestic staff were most numerous from 1918 to 1923, the years surrounding the marriage of Armistead the 3rd and Caroline. Their number included African-Americans and immigrants from Ireland, Italy, England, and Russia, most of whom lived off-site. Well paid for the time, as demonstrated by Peter family records in the archive, they may have received bonuses at Christmas and other holidays. In the Servants’ Sitting Room, where gift wrapping is under way, the traditional Irish Christmas candle in the window welcomes those looking for shelter.

In the Kitchen, you can visualize the staff bustle as preparations are underway for a family feast. Recipes and receipts in the archive include a name familiar to modern D.C. shoppers: Bills from John H. Magruder Fine Groceries and other invoices show that the family’s 1926 Christmas turkey weighed 13½ pounds and was served with beef. Festive meals around 1920 were served à la Russe, with staff serving and clearing dishes one by one, a job that probably fell to butler Jacob Taube. After Taube’s departure, the Peters appear – like most of us – to have mostly served themselves.

Cakes and roasts have never fallen from fashion, but the Peter family table also bore dishes less common today. The plum pudding and figs on the Kitchen tables may be faux (made by Artist-in-Residence Peter Waddell), but the Chocolate Plum Pudding recipe on the baking table comes from a 1915 cookbook actually owned by the Peters, Knox Sparkling Granulated Gelatine Makes Desserts, Salads, Puddings, Sherbets, Jellies, Ice Creams, and Candies. The handwritten eggnog recipe likewise comes from the archive, and on the wooden table beside the door is another family recipe, typed in the early 1900s, for “Sweet Stuffing for Turkeys, Capons, or Chickens.”

In the kitchen, gelatin molds would have been in frequent holiday use.

In the kitchen, gelatin molds would have been in frequent holiday use.

Through December 2015, these holiday vignettes and the collections riches that surround them will be on view on all regular tours (docent-guided and offered hourly, Tuesdays through Sundays), as well as at Tudor Nights on December 4 and the festive Holidays Through History four-museum open house on December 6. Take a break from the season’s hubbub and rush to enjoy the panorama of holidays past, adding fun, elegance, and a taste of history to your own celebrations!

Tudor Place Friends and Collaborators Celebrate National Preservation Award

Current and past staff members, consultants, conservators, and other supporters gathered June 18 to celebrate the bestowal on Tudor Place of the coveted Ross Merrill Award for Outstanding Commitment to the Preservation and Care of Collections. Cool wine and beverages offered relief from the heat for the 64 guests gathered for the awards ceremony, catered reception, and socializing in the Dower House administration building.  In recognition of a conservation focus that permeates all aspects of the house, collection, and grounds, select museum areas were open for viewing, with the spotlight on collection pieces that have received special conservation care.

“Tudor Place excels in telling its story,” enthused Eryl Wentworth, executive director of the American Institute for Conservation of Historic and Artistic Works (AIC) as she presented the award jointly with her counterpart from Heritage Preservation. The Merrill Award confirms Tudor Place’s reputation for a level of collections stewardship more often found in far larger institutions. Past recipients include the National Archives and Records Administration, Shelburne Museum, and Museum of Fine Arts, Boston, and the Colonial Williamsburg Foundation, among others. So selective is the awards committee, according to the AIC director, that in some years, since it was first presented in 1999, the prize was not awarded at all.

Since Leslie Buhler became executive director of Tudor Place 14 years ago, Ms. Wentworth said, “[I] have watched and applauded her stewardship of this remarkable site… There is no question in anyone’s mind–Tudor Place well deserves the honor of receiving this special award.”

In his remarks, Heritage Preservation President Larry Reger praised the long-term focus on preservation concerns that recommended Tudor Place to the committee. “Even in the early years of its transition from private ownership to a public institution, the Tudor Place Foundation made it a priority to ensure there was a sustained review its collections and archives,” he noted. The award recognizes, the comprehensiveness and systematic nature of the museum’s collections care, the daily attention devoted to it from an expanding collections staff, cultivation of strong board support, and the engagement of conservators, preservation architects, architectural historians, archivists, engineers and others with necessary skills.

In accepting the award, Ms. Buhler alluded to the capital campaign and Master Preservation Plan that will undergird the museum’s future. “What we collectively have achieved in the past is truly remarkable, but it is what we must achieve in the future that will secure Tudor Place,” she said, noting, “we are not celebrating in the main house tonight because of the heat. Not only is the heat dangerous for visitors and staff, but heat extremes cause fluctuations in humidity that damage the collection and archive.”

The proposed master plan includes HVAC modernization and other practical improvements crucial to conservation and preservation of valuable objects and structures, she noted, adding, “This is the future of Tudor Place, one that is imperative to secure if we are to continue to exist as a public museum.”

All images © AVANTphotoDC.

Lives Measured in the Garden: “As Time Goes By”

· Family and Friends ·

Armistead Peter Jr., the third owner of Tudor Place, cherished the labors and traditions of the estate’s landscape. His grandmother, Britannia Wellington Peter Kennon, inherited the property from its founders, her parents. She taught her grandchildren to honor these forebears and in many ways Armistead Peter Jr. measured out his own life by following the garden’s rhythms and answering its demands. This essay by Archivist Wendy Kail traces intergenerational change within the Peter family through diaries, notes, and the natural history of Tudor Place.

A mid 20th-century view of the Box Knot rose garden, where time’s passing registers on the face of a sun dial from Crossbasket Castle.


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Showers and Smiles: The 22nd Annual Garden Party Makes a Splash

OUT: Air kisses. IN: Hugs. This is the trend statement from the 22nd Annual Tudor Place Garden Party fundraiser…

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Niente was delighted to receive a handsome oil of Tudor Place painted by Trustee Andy Williams.

From the receiving line on into the grand party tent and out on the freshly “watered” (by rain!) South Lawn, Honoree Niente Ingersoll Smith set the tone. She and her kin — including daughter Liz Dougherty as a Party Co-Chair — embraced throngs of friends, relations, and supporters as they arrived to celebrate Niente and the museum for which she has done so much. The 500-strong crowd and generous corporate sponsors enabled the party to surpass by some $20,000 its fundamental mission of raising $250,000 for the Tudor Place Annual Fund.

Co-chairing with Liz were the tireless and stylish Page Evans and Colman Rackley Riddell, who served also presided over the beautiful 2013 Garden Party. Trustee President Timothy Matz, ending his term as board president, helped anchor the receiving line, along with Executive Director Leslie Buhler. Council Member Jack Evans joined dignitaries on the dais and praised Tudor Place for its contributions to education and well-being in our city.

Also announced from the dais was news of a coveted prize, the 2014 Ross Merrill Award for Outstanding Commitment to the Preservation and Care of Collections, recognizing  Tudor Place’s consistent and systematic work over decades to preserve and care for the historic and cultural assets belonging to the National Historic Landmark. The award, which will be formally presented June 18, 2014, seemed a fitting announcement to accompany the celebration of Niente as a longtime supporter of preservation.

Tudor Place Recognized with National Award for Preservation and Collections Care

 

FOR IMMEDIATE RELEASE

CONTACT

May 21, 2014 Communications Officer Mandy Katz
202.486.7645 | mkatz@tudorplace.org

The Tudor Place Foundation has been honored with the 2014 Ross Merrill Award for Outstanding Commitment to the Preservation and Care of Collections at Tudor Place Historic House & Garden. The award, established in 1999, is presented jointly by Heritage Preservation and the American Institute for Conservation of Historic and Artistic Works (AIC). Recipients are selected by a panel of distinguished preservation and conservation experts from across the nation.

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Curator Erin Kuykendall and specialist Mark Adler preserved and made minor repairs to an 1804 Broadwood & Son pianoforte.

The Ross Merrill award recognizes the systematic and strategic work of Tudor Place over the years to preserve and care for all its historic and cultural assets belonging to the National Historic Landmark. Since it assumed ownership of Tudor Place in 1984 from its last private owner, the Foundation has committed itself to inventorying, cataloguing, assessing, and conserving its historic and cultural assets – the buildings, object collection, archive, book collection, and landscape – and expanded its collections staff from one person to three. In recent years, significant effort has enabled a comprehensive Master Preservation Plan that will permit the public’s engagement with the museum’s assets while also protecting them.

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Conservator Greg Byrne and Erin Kuykendall compare X-radiographs and a wax figure from a tableau created for Martha Washington. Additional funding is sought to complete this significant project.

“It is an honor to see the often quiet work of many years recognized with this highly coveted award,” Executive Director Leslie Buhler said. “Heritage Preservation and the AIC are internationally renowned for their work to preserve our country’s cultural resources. We are gratified to see Tudor Place recognized for its contributions toward that goal.”

Tudor Place has clearly demonstrated its commitment to protecting, preserving, maintaining, and interpreting its historic property and collections. Beginning in 1990 with a Conservation Assessment Program grant, the museum has methodically assessed its holdings.  From 2004 to 2011 alone, the organization solicited the help of more than a dozen conservation professionals to assess the condition of its collections. In addition, staff are tasked with conducting a detailed condition assessment of every object on display annually.

The museum’s dedication to better understanding its collections has allowed it to identify deliberate short and long-range conservation goals and priorities. This attentiveness has also served as the impetus for the museum’s comprehensive polices and plans throughout the years from the implementation of an integrated pest management plan in 1996 to improved environmental monitoring in 2007. In fact, in 2008 Tudor Place created a Master Preservation Plan that outlines clear goals for the site and primacy on preservation best practices.

Jennifer A. Zemanek, a textile conservator who worked with Tudor Place on conserving a 1783 shell and waxwork tableau, commended the board’s and staff’s “…enthusiasm, patience and diligence in tackling this very complex conservation project, ultimately making decisions that exemplify Tudor Place’s absolute dedication to the preservation and conservation of its collections.”

The award committee was also impressed by the museum’s conservation-focused outreach activities both for its own staff and the general public. Tudor Place’s collections team—which has grown from one staff member to three since 2000—works collaboratively with all departments to inform staff of preventive steps they can take to ensure events, tours, and educational programs do not harm the grounds, house, or collections. Through newsletters, public reports, and programs, the general public is also informed of the museum’s conservation efforts.

“The Museum’s sustained commitment to issues of preservation is truly impressive,” said Lawrence L. Reger, Heritage Preservation president. “I, along with AIC, applaud the Tudor Place for its achievements and commend both its board and staff for their tireless efforts.”

The Ross Merrill Award for Outstanding Commitment to the Preservation and Care of Collections will be presented during a ceremony at Tudor Place Historic House and Garden on Wednesday, June 18.

The Award

The Ross Merrill Award for Outstanding Commitment to the Preservation and Care of Collections has been presented on an annual basis since 1999. Previous recipients include nationally prominent organizations such as Colonial Williamsburg and the Museum of Fine Arts, Boston, and smaller institutions such as the Historical Society of Frederick Country (Maryland) and Maymont Foundation (Richmond, Virginia). In 2012, the Alaska State Museum and the Harness Racing Museum and Hall of Fame received the award. The Indianapolis Museum of Art was also a recipient of the 2013 award.

About AIC

The American Institute for Conservation of Historic and Artistic Works is the national membership organization of conservation professionals dedicated to preserving the art and historic artifacts of our cultural heritage for future generations. AIC plays a crucial role in establishing and upholding professional standards, promoting research and publications, providing educational opportunities, and fostering the exchange of knowledge among conservators, allied professionals, and the public. Learn more about AIC at www.conservation-us.org.

About Heritage Preservation

Heritage Preservation is a nonprofit organization dedicated to preserving our nation’s heritage. Its members include museums, libraries, archives, and other organizations concerned with saving the past for the future. Learn more about Heritage Preservation at www.heritagepreservation.org.

Presentation of the award will take place at a reception at Tudor Place on Wednesday, June 18, 2014. Attendees will include many of the several dozen conservators, advisors, donors, staff, and past employees who have contributed to conserving and preserving Tudor Place’s assets.

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1st Annual Tree Fest Celebrates the Tudor Place Canopy

 

Tulip poplar in fall

March 29, 2014 | 10 a.m. to 3 p.m.

Register Now

The shelter and dignity of the property’s historic trees — and the risks they face from the violent weather of recent years — have inspired a new event at Tudor Place: a Tree Fest, free and open to the public. Our local environment and the canopy of heritage trees are the focus, and there will be something for everyone!

  • An artisanal Market Fair offering sustainable merchandise and information from people and organizations working on behalf of the environment and landscape.
  • For families, puppet shows at 11 a.m. and 1 p.m., and games and crafts all day.
  • A 1 p.m. guided walk with tree expert Melanie Choukas-Bradley, author of City of Trees, will help you learn to understand and identify local species.
  • A chance to say “hello” to the newly planted white oak tree! It replaces the two-century-old specimen lost last year to age and storm damage and represents Tudor Place’s ongoing investment in the tall trees of tomorrow.

NOTE: Public transportation recommended. Tudor Place is easily reached by bus, Metro and a short walk, and bicycle (including Bike Share).

Vendor Information

Now taking vendor registrations for October! The Tree Fest is fully subscribed, but we are taking registrations from vendors and organizations now for the October 18 Fall Harvest Fest, also free and open to the public. Are you a talented regional artisan or food purveyor? Do you have crafts, merchandise, creative eats, and/or useful information to offer? Please contact us today!

Seasonal Themes and Installations

 

Something for every taste and season!

Schedule your visit around these special installations! Tudor Place tours offer immediacy and authenticity. Now, there’s more! Don’t miss these seasonal displays, included at no extra charge in every tour, of rare Collections objects, each with a story of its own. And any time we’re open, come to the Visitor Center at no charge to see a display of photographs of Tudor Place in the snow, 1910-1913, taken and printed in silver-nitrate format by the estate’s last owner while he was a teenager.

 

FDR White House Invitation

A Visit With the Presidents

FEBRUARY + MARCH

Requesting the pleasure of your company…  From documents like the Franklin Roosevelt White House invitation at left, to porcelain that graced the very first Presidential table, Tudor Place is filled with ties to the highest office in the land. Rare artifacts and little known stories are part of this two-month tour component. Admission half-price throughout February!

 

Floral plate, 19th century
Gardens In & Out

APRIL – AUGUST

Through six generations, the Peters of Tudor Place turned their focus beyond the 1816 mansion to their multi-acred landscape. This fresh and fascinating tour installation reveals how the family drew inspiration for their indoor lives from the lush “rooms,” heritage trees, and garden beds they cultivated outdoors. Drawing from the museum’s voluminous Collection and Archive, the tour highlights botanical images and ideas found in books, cards, magazines, textiles, and china.

 

smokehouse door

 

Eating Local — Feeding the Urban Estate

SEPTEMBER – NOVEMBER

Harvest and the Smokehouse are the focus for fall across the 1816 Landmark site, from the newly restored ca. 1795 smokehouse to the historic kitchen and 5½-acre gardens that once helped sustain owners and workers on this iconic urban estate. Agricultural implements will be on view, along with the kitchen preparations and table setting for a fine 1830s family dinner featuring the best of the smokehouse’s yield, ham and sausages. Also view related collections items including ceramics, housewares, diaries, receipts, and recipes, all chronicling domestic life in the city since the days when hay grew on the South Lawn. Learn about early “locavorism” on all regular tours (offered hourly), at special events, and when you visit the garden and newly opened Smokehouse. What better way to understand how land, labor, and urban larders have evolved since our city’s earliest days?

 

Dining table holiday centerpiece
Red, Green & Gold: the New and the Old
   Tudor Place Sparkles for Christmas

THANKSGIVING – DECEMBER 31

Experience the best of tradition and 21st-century flair over the holidays in the National Historic Landmark mansion. This seasonal installation in their onetime home imagines how the Peters would have decorated for a modern Christmas, blending heirloom spaces and collections with modern style in winter greenery, ribbons and bows, and the sparkle of lights and color.

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“Patty + Mr. Peter is to Make a Match”–An Endangered Wedding Artifact and Why You Should Vote for It

 

early American trunk

MADE IN AMERICA: This worthy but battered heirloom carried trousseau gifts from First Lady Martha Washington in 1790s Philadelphia for the wedding of her granddaughter near the new Federal City of Washington. Does its fragile condition make it one of the “Top 10 Endangered”? TUDOR PLACE HISTORIC HOUSE & GARDEN. Bequest of Armistead Peter 3rd, 4006.

 

The trunk is battered-looking, fragile, and kept from public display to prevent further deterioration. But even disrepair can’t mask the fine American artisanry that went into it, or diminish its history of holding treasured memories and belongings of the Custis-Washington family.
That is why it has been nominated as a 2013 candidate for “Top 10 Endangered Artifacts” in D.C. and Virginia. A public vote online, August 1-29, 2013, will help determine the final list, so we encourage you to take part! And if the story below moves you, please vote to the Tudor Place wedding trunk, from Martha Washington to a beloved granddaughter, for “Top 10 Endangered.” The designation will help us attract interest and funding to conserve a valuable piece of America’s past.

 

This trunk was sent by Mrs. Washington from Philadelphia, (Gen’l Washington being President and residing in Phila at the time) to her grand-daughter Miss Martha Custis, filled with a part of her Wedding trousseau in Jan’y 1795.

—handwritten note by Britannia Wellington Peter Kennon       

Anyone opening the wedding trunk from Lady Washington would have immediately seen its maker’s mark.  The 8.5-inch-square trade card still pasted to the interior reads:

Jesse Sharples Takes this Method of informing the Public in general, and his Friends in particular, that he continues to carry on the Saddling Business, As usual in all its various branches, at his SADDLE MANUFACTORY, the north-west corner of Chestnut & Third-Streets, four doors from the Bank, and opposite the Cross-Keys, Philadelphia. Where he makes, and has for sale, a quantity of read made work.

printed maker's mark

Just as fine luggage today bears its designer’s mark, like the Louis Vuitton “LV” or repeating C’s of Coach’s logo, Jesse Sharples branded his late 18th-century goods. His label prominently appears when the trunk lid is lifted.

In the 1780s, Jesse Sharples sold riding equipment and horse husbandry tools. He later augmented his American-made inventory with English luxury imports like silver and silver-plate bridles and silver-mounted whips, to attract an elite clientele. The wedding trunk is one of three known examples of Sharples’ work preserved today; two smaller ones belong to the Henry Francis du Pont Winterthur Museum, Garden & Library and Historic New England.

Sharples appears to have been one of several saddlers to outfit George Washington, who traveled often for work and war. The documentary record reveals a variety of trunks and uses. For example, a June 1781 inventory of articles left to the then-General’s recording secretary, Richard Varick, included “4 Black Leather Campaign Trunks with Leather Straps.” In 1780, Washington penned instructions to pack winter blankets into a small, black leather trunk (labeled with a brass plaque engraved, “Genl. Washington No. 4”); when that piece later entered the collection of Historic Mount Vernon, it held fragments of clothing worn by George and Martha, as well as a pair of George’s dentures.

Washington's pocket watch

Another wedding gift: Washington is said to have given this English pocket watch to Martha Peter’s mother, Eleanor Calvert Custis, when she married his stepson.
TUDOR PLACE COLLECTION. Gift of the Magruder family, 2012.7001.

Washington often purchased personal items and household goods from Europe, like the English-made pocket watch recently donated to Tudor Place. But through commissions like this trunk, he also encouraged domestic industry, particularly in the growing manufacturing center of Philadelphia.

Sharples’s shop thrived there in the early 1790s, as its advertising indicates. The master published calls for journeymen laborers eight times from 1792 to 1794. One ad in The Federal Gazette boasted, “40 to 50 journeymen in different branches will find constant employment.” Sharples also broadcast assurances of potential customers’ satisfaction, as in this 1789 notice:

Gentlemen and Ladies, who please to favor him with their Custom, may depend on being, well furnished with such Articles as they may want, and that their Orders will be punctually attended to.

He and his workers would have needed to know which leathers suited what purpose. Animal hides came from a variety of animals and, depending on how they were tanned, the leather could have different textures, colors and degrees of flexibility. An apprentice, several of whom Sharples also employed, needed years of handling experience to train their touch, according to Colonial Williamsburg saddle and harness maker Jim Kladder.

Tacks in an ornamental pattern anchored (now missing or torn) leather packing straps.

The Tudor Place wedding trunk is made of sawn pine boards, with an interior lining of plain-woven linen. Its exterior was clad in durable water-resistant leather, now peeling, and its outer edges and joints were reinforced with sheet iron plates and leather straps. Four additional straps could secure it during coach or boat transit. Originally, a wide leather skirt provided extra weatherproofing for the joint between lid and frame (and covered the lock and hasp), but it has been lost.

The wedding trunk’s leather cladding has peeled away in places, exposing the wood beneath.

Perhaps the trunk’s most notable use was for the January 1795 society wedding of Martha Parke Custis, known as “Patty,” to Thomas Peter. First Lady Martha Washington, Patty’s grandmother, happily anticipated the nuptials in a letter to her niece:

[F]rom what I can hear Patty and Mr. Peter is to make a match – the old gentleman [Robert Peter] will comply with Dr. Stuart’s bargain and in the last letter I had from Mrs. Stuart she says Patty had given him leve (sic) to visit her as a lover.

“Mrs. Stuart” was Martha Custis’s mother, Eleanor Calvert Custis, Martha Washington’s daughter-in-law. “Dr. Stuart” was the widowed Eleanor’s second husband. (For more on Custis-Peter genealogy, see the biographical essay by Tudor Place Archivist Wendy Kail.) The groom’s father, Robert Peter, was a wealthy Georgetown tobacco merchant and landowner who had served as Georgetown’s first mayor.

The District of Columbia was still brand new then (established 1791) and the presidency based in Philadelphia, but neighboring Georgetown was a prosperous port. It was from Philadelphia that Mrs. Washington shipped her gift of trousseau items to her granddaughter. The President bestowed on the bride (at her request) a portrait of himself in miniature now in the Tudor Place collection, one of the few existing Washington portraits painted from life.

Geo Washington miniature

The bride asked for her step-grandfather’s likeness as a gift. He commissioned this miniature by Walter Robertson. TUDOR PLACE COLLECTION. acc. no. 6186.

The wedding took place on January 6 — George and Martha Washington’s 36th wedding anniversary — at Hope Park estate in Fairfax County, Virginia. Ten months later, Nelly described the newlyweds’ bliss in a letter to a friend:

[M]y Sister Peter expects a little one, in a few months … She is now settled in the Federal City very charmingly—her husband the best and most affectionate. She is perfectly happy. 

Martha and Thomas Peter went on to have five children who survived to adulthood. An inheritance from George Washington enabled them to purchase land for Tudor Place in 1805 (the mansion was completed in 1816). The Georgetown Heights estate remained in their descendants’ hands until deeded, in 1983, to the foundation that runs it now. Britannia Kennon, their daughter and the estate’s second owner, carefully documented many heirlooms, often with labels like the one quoted above, visible on the trunk’s interior. Armistead Peter Jr., her grandson, later added his own note: “Everything in this trunk came from ‘Mt. Vernon.’”

We may never know precisely what those contents were, since the trunk was empty when Tudor Place opened to the public in 1988. But with more than 200 objects in the Washington Collection. from fine dining equipment to everyday kitchen items, there are plenty of candidates. Among other trunks in the Tudor Place collection are one that belonged to Martha Peter’s mother (possibly given from her mother, a descendant of Maryland’s founding Calvert family) and an 1830s cedar chest engraved with the name of Commodore Beverley Kennon, U.S. Navy. Commodore Kennon, Britannia’s husband, was killed in a test-firing explosion of the celebrated “Peacemaker” cannon aboard the U.S.S. Princeton in Washington harbor in 1844. His widow kept his chest at Tudor Place for 67 years, eventually using it, according to her grandson, to store family silver.

With fragile hinges and broken lid straps, the wedding trunk’s lid
requires human help to stay open (received here from Collections Assistant Laura Gaylord). Click here to DONATE to the trunk’s future.

Few objects here, however, are in condition as dire as the trunk. The colorful woven tapes that once held it open are torn, now, and hang in tatters from the frame. Its leather exterior is peeling. Straps are missing. And the once neat linen lining appears to have been replaced, suggesting repeated use and past repairs: With the relative cost of goods far higher than today, even affluent householders of earlier times preferred to mend and re-use rather, like modern consumers, discard worn objects and buy replacements.

DONATE TO THE TRUNK’S CONSERVATION–CLICK HERE.
LEARN MORE ABOUT THE TRUNK’S CONTEXT:
In addition to links above, these resources also help tell the story of the trunk and the people who used it.
  • Brady, Patricia. George Washington’s Beautiful Nelly: The Letters of Eleanor Parke Custis Lewis to Elizabeth Bordley Gibson, 1794–1851 (1991), 21.
  • Cadou, Carol Borchert. The George Washington Collection: Fine and Decorative Arts at Mount Vernon (2006), 86, n72.
  • Fields, Joseph E., Worthy Partner: The Papers of Martha Washington (1994)
  • Historic Mount Vernon: trunk information.

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POST UPDATED, OCTOBER 14, to remove the following material dating to summer 2013:

[Voting for this artifact closed in August 2013.]

Virginia Association of Museums Top 10 logo
Your vote could help save our trunk, a wedding gift from
Martha Washington to her grandchild. UNLIMITED VOTES ARE
PERMITTED, IN A SINGLE DAY OR EVERY DAY. 

Please use and share the link! Scroll to “Tudor Place”
to find our listing, and vote, vote, vote. Thank you!

 

We share that aim: Thank you for voting to preserve the wedding trunk.

VOTE FOR THE TRUNK–CLICK HERE.

Orlando Ridout V: In Memoriam

Executive Director Leslie Buhler offers this tribute to Orlando, who died April 6, 2013. A pillar of architectural history and preservation, he was a deeply admired friend to her and others fortunate enough to have known and worked with him. 

Orlando Ridout V on roof
Orlando on the Tudor Place roof.

There are few people one meets in life who stand heads above others. One of those people in my life – as in many others – was Orlando Ridout V. While few outside the fields of architectural history or preservation will have heard of him, all of us will benefit far into the future from his work. For almost four decades, Orlando helped create, shape, define, and advance the study of vernacular architecture, for thirty of those years as chief of field research for the Maryland Historical Trust, a state agency dedicated to preserving and interpreting the legacy of Maryland’s past.

I first met Orlando in 2000 when I began work at Tudor Place. Then-Trustee Al Chambers invited him into the city to meet me and discuss a path forward for the National Historic Landmark house. I was immediately drawn to him — his passion for old buildings was electrifying, his intellect inspiring, and his knowledge of building construction astounding. He was thoughtful, generous of spirit, and full of great stories. He shared his vast knowledge humbly and did not judge the recipient.  From that meeting to this day, he has been my touchstone as I have led efforts to understand and preserve this historic site.
Orlando Ridout V giving Tudor Place tour
Orlando explaining the architectural history of
Tudor Place: He shared his vast knowledge humbly.

In 2001 and 2002, we commissioned Orlando and Willie Graham, his longtime colleague at Colonial Williamsburg, to write a Historic Structures Report for the estate. Their systematic approach greatly advanced our knowledge of the building’s evolution and formed the foundation for the interpretive approach used today. Through endless hours of investigation, examination, and delving into documentary material (including early images), they produced a comprehensive site chronology and a keystone essay on the house’s evolution and architectural importance. From their inquiries, we gained invaluable understanding of the people who lived and worked at Tudor Place over 173 years of ownership by the Peter family.

Several years later, when the stucco was removed from the house, Orlando came to examine the exposed exterior brick. While many of those in the collected group of staff and experts were examining the east wing to identify whether, in fact, it had been a stable and carriage house, Orlando pulled out his notebook and deftly sketched the structure with it horse and carriage entrances. He showed us the difficult-to-discern alterations in the brick that indicated changes made to make the wing habitable. By the end of the day, after close examination of the exterior brick, Orlando’s notebook was full. (For a closer look, click the image below.)

 

Orlando last came to Tudor Place in early 2012 to examine the construction of the Temple Portico roof while it was being restored. He clambered up 2 stories of scaffolding and ladders to examine lumber and nail-hole patterns. With his usual command of regional construction practices, he immediately helped us understand the challenges facing those who made the domed roof and the construction techniques used to create this highly unusual structure.
Orlando examining nail-hole patterns on the Tudor Place Temple Portico dome, January 2012.

This was just months before he was diagnosed with pancreatic cancer. News of his illness caused a seismic shock in the architectural history and preservation fields. He was not to leave this world without the recognition he so deserved. In 1979, Orlando had helped found the Vernacular Architecture Forum (VAF), dedicated to the interdisciplinary study of the built environment, and historic architectural resources and their relationship to local culture in particular. In June 2012, its Board awarded him the Henry Glassie Award recognizing special achievements in and contributions to the field of vernacular architecture studies.

Marcia Miller, his Maryland Historical Trust colleague, captured Orlando’s spirit so well as she accepted the award on his behalf, so I will quote from her tribute:

    …His contributions to this field have redefined how we, as a profession, look at buildings. Not content to simply maintain the status quo, he has elevated the standards of our field, continuously working towards bettering our understanding of buildings, refining our documentation standards and rethinking the types of questions we should ask about the built environment.

    Perhaps his greatest legacy, however, is as a teacher and mentor… He gives freely and profusely to anyone who is passionate about buildings, and he is especially dedicated to those who desire to become field surveyors. How many people in our field have learned the basics about nail chronologies, framing techniques, and hardware while spending a hot day in a tobacco barn or cold, snowy day in an abandoned eighteenth century house with him? Benefiting in a special way are his students who took his legendary course, “Field Methods for Architectural History,” at the George Washington University.

    But these examples do not do justice in any way to Orlando’s expansive generosity with the fruits of his intellect and his labor. No matter how elementary or complex the question might be, nor how many times he has answered it before, he always answers with thoughtfulness, unselfishness and modesty.

Orlando’s work in the Chesapeake region included so many historic structure investigations, restorations, and reconstructions. Some of the most notable among the numerous historic sites he analyzed in Maryland, Virginia, and South Carolina were the Octagon, a William Thornton-designed home in downtown Washington owned by the American Architectural Foundation; Thomas Jefferson’s Poplar Forest; James Madison’s Montpelier; and the Aiken-Rhett House in Charleston. His work in South Carolina earned him the Frances R. Edmunds Award from the Historic Charleston Foundation.
In Maryland, his work is legendary, and his public service followed that of family members before him. The Ridout family’s roots in Maryland go back to the 17th century and include two royal governors, members of the Maryland Legislature, and the state’s first historic preservation officer. In 30 years working for the state, Orlando helped compile a catalog of Maryland’s historic resources, the Maryland Inventory of Historic Properties, which establishes the basis for all preservation activity in the state and is a model for other states. With his father, Orlando was awarded the Calvert Prize, the Maryland Historical Trust’s highest award for historic preservation.
As prodigious and inspiring as his personal gifts were, Orlando was a prolific writer. With Marcia Miller as editor, he contributed to Architecture in Annapolis: A Field Guide. His other writings include a book, Building the Octagon, which received VAF’s Abbott Lowell Cummings Award in 1990; Architecture and Change in the Chesapeake: A Field Tour on the Eastern and Western Shores, written with Michael O. Bourne, Paul Toart, and Donna Ware; and a chapter in The Chesapeake House, a newly released comprehensive study of early buildings, landscapes, and social history edited by Cary Carson and Carl Lounsbury. His additional studies,papers, and articles likewise provide a rich resource for future generations.
He leaves us the rich legacy of these works and his scholarship, but in himself, more than anything, Orlando was a gift to us all. I will miss him greatly.

 

Tudor Place Archaeology Survey Earns Excellence in Historic Preservation Award

Staff receive DC Historic Preservation Award

Press Contact:
press@tudorplace.org
Website: https://tudorplace.org/
Tudor Place Historic House and Garden
1644 31st Street NW
Washington, DC 2007

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FOR IMMEDIATE RELEASE
June 18, 2012

Washington, D.C. – June 18, 2012 — For its intensive site-wide archaeological survey, Tudor Place Historic House & Garden has been awarded the District of Columbia Historic Preservation Office’s Ninth Annual Award for Excellence in Historic Preservation. The museum’s executive director and Trustees and representatives of Dovetail Cultural Resources, which carried out the work, will accept the prize for Archaeology this Thursday, June 21, at the Sixth and I Historic Synagogue. Seventeen other prize categories include Stewardship, Design & Construction, Publications, and Affordable Housing, among others. Former Historic Preservation Review Board Chairman Tersh Boasberg will also recceive a Lifetime Achievement Award.

“We are thrilled to be recognized for this foundational survey that informs interpretation of the site and the larger scholarship on houw suburban estates of the early 19th century functioned,” said Tudor Place Executive Director Leslie Buhler. “Archaeology is a critical component of our research. We look forward to what further excavations will reveal.”

The project revealed more that 800 artifacts from the 18th through mid-20th centuries. It also offered clues to the location of possible slave quarters, what may have been a burned barn, and a small brick dwelling on the 1816 National Historic Landmark site.

The “Phase 1” survey, completed in May, covered the propertys full 5.5 acres. Dovetail Cultural Resources conducted it for Tudor Place with funding from the Clark-Winchcole Foundation. The project met goals including identifying past building sites; locating (for reference in future improvements) areas without significant subsurface cultural significance; and providing archaeological context for past and future excavations. It consisted of a pedestrian survey, close-interval subsurface “shovel tests” to recover artifacts, and mapping of all points of interest using GPS.

The survey was one of several preservation and conservation projects begun or completed at Tudor Place in 2011. Others, to cite just a few, focused on Martha and George Washington’s unique tabletop plateau and their waxwork (already the source of a rare decorative artifact); the architecturally noteworthy Temple Portico; and the Box Knot Garden once tended by Tudor Place’s original owners. All such endeavors by the Tudor Place Foundation provide documentation for school programs, educator workshops, public programs, and scholarly research.

Located in Georgetown’s Historic District, this National Historic Landmark is a house museum distinguished for its neoclassical architecture, decorative arts collection, and five-and-a-half acre garden. Built in 1816, it was home to Thomas Peter and his wife, Martha Custis Peter, granddaughter of Martha Washington. It housed six generations of the Peter family over the course of 180 years. Now, open to the public, the historic home is one of our nation’s hidden gems. For details visit https://tudorplace.org/