Silhouettes to Selfies: Slow Art, Fast Change

 

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Join us, June 4, 2015 at 6 p.m. for a cocktail kick-off!

Portraits: Trying to Tell Us Something

Portraits are a mainstay of any Tudor Place house tour, useful for identifying family members, workers, prominent friends, and others who animate the site’s history. In any medium, likenesses help us learn the site’s stories. But examined closely, these works can tell us far more than just “who” and “with whom.” A newly opened installation, Silhouettes to Selfies: Capturing Portraits Over Time, on view through August 2015, looks at two centuries of technology, custom, and attitudes in the way we depict ourselves. In the garden, visitors are invited to “frame” their memories photographically — and consider how our perceptions of place change when we wield cameras — by snapping selfies and portraits using one of the outdoor Photo Frames that dot the landscape for the duration of the installation.

A family home, the historic house abounds with likenesses of those who spent time here and (as with depictions of Martha and George Washington) their forebears. Of the approximately 2,200 works in the fine art collection they left to the museum, over 100 are likenesses of people who lived on, visited, or worked on the estate. Among the collection’s 4,000 photographs, 334 are portraits of the Peters, their servants, friends and kin, even pets, from a rare 1850s daguerreotype to mid 20th-century prints made with Kodak equipment. The collections’ portraits vary in material, quality and expense, from early 19th-century cut paper silhouettes of Martha and Thomas Peter’s daughters, America (“Meck”) and Columbia (“Lum”), to formal oil-on-canvas self-portraits by Armistead Peter 3rd from the mid-1900s.

On View in House and Garden

Regular guided tours during the installation will feature these as well as art and artifacts not on permanent exhibition. In the garden, three strategically placed Portrait Frames invite viewers to “frame” portraits of place and of themselves in it — an entertaining new way to interact with the landscape and the architecturally significant house designed by Dr. William Thornton. Inside the historic house, photographic equipment from the early 1900s through the era of the Polaroid will be on view in the Butler’s Pantry; that might seem an odd setting, only until you learn the space had served as a family darkroom before the house’s renovation in 1914. In the Office, visitors will see works by author and artist Marietta Minigerode Andrews, arrayed on the desk of her friend Armistead Peter, Jr.  Minnigeroode, who was ambidextrous, presented him with a book about her paper-cutting art, also on view. (Her grandfather, Charles Minigerode, was a German immigrant and classics scholar who rose to a prominent Episcopal pulpit in Richmond from which he counseled Jefferson Davis, earning the nickname “Father Confessor of the Confederacy.” as recounted by Colonial Williamsburg historian Harold B. Gill, Jr.)

As part of the installation, Tudor Place joined the worldwide movement of Slow Art Day, on Saturday, April 11, inviting visitors for special focus on four key portraits from the collection in a program that paired old-fashioned observation with music, conversation, and sketching. A group lunch was included, making for an unusual (and social) experience in art appreciation. Each portrait of four carefully chosen pieces, in different media and tied to the house and its history, was studied for 15 minutes each. They included an oil painting, a watercolor, a plaster bust, and a photograph, featuring mixed generations and solo subjects, images of different eras, and even a nod to another continent.

Preserving Portraits and Plumbing Their Secrets

While portraits can be counted on to live on after their subjects, they too, are subject to the ravages of time. In collaboration with the Smithsonian’s Museum Conservation Institute, Tudor Place recently conducted conservation analysis on its important portrait of founder Thomas Peter. X-ray fluorescence spectometry shed light on past “improvements” and repairs that had obscured significant details of the sitter’s clothes, setting, and symbols of his status embedded in the original portrait, indicating that further conservation work might reveal more about the painting’s original design. With generous support from the MARPAT Foundation, Tudor Place also conserved seven other painted portraits this year: John Parke Custis IV, ca. 1725; William G. Williams’s Self-Portrait; Williams’s painting of his wife , America Peter Williams and Son Laurence, ca. 1833; and three paintings by Armistead Peter 3rd — a double portrait of his wife and daughter from 1932, his 1949 Self-portrait in naval uniform, and a portrait of his wife from 1925 in a green cloche hat. And the museum also took steps recently to conserve rare 1850s daguerreotypes, tintypes, ambrotypes, and ivorytypes in the collection — all predecessors of print and, now, digital photography.

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May 20 Garden Party to Honor Museum Champion Ellen Charles

CONTACT

TICKETS

Mary Michael Wachur Click here.
Associate Director for Annual Giving & Events
202.580.7323 | mwachur@tudorplace.org

Some 500 celebrants will gather at Tudor Place on Wednesday, May 20, 2015, at 6 p.m. for the site’s 23rd Annual Spring Garden Party. The festive social event, chaired by Elizabeth Powell of Georgetown, draws prominent Washingtonians and guests from around the nation and abroad. Ellen MacNeille Charles, a transformative and longtime leader of Tudor Place, will be honored . Mrs. Charles’s special blend of experience, wisdom, and good humor benefits and enriches every organization she touches — including Tudor Place, where her leadership and advocacy have made an indelible mark. Tudor Place hosts more than 23,000 visitors annually. Its education programs serve more than 3,000 school children each year from schools in D.C. and surrounding communities, providing a living classroom on American history, the environment, architecture and other subjects.

Thank You, Sponsors

The Spring Garden Party, as Tudor Place’s most important fundraiser of the year, provides more than 20 percent of its annual operating budget. enabling it to serve as a destination for education and entertainment of broad audiences of local, national, and international visitors. Corporate sponsorship is led by Washington Fine Properties and Cooke & Bieler, and supported by Wagner Roofing, Davey Trees, and Huntington T. Block. Proceeds also support innovative programs employing Tudor Place as a living classroom for the teaching of American history, science and environmental studies, and architecture, for more than 3,000 public and private school children a year.

Director Leslie Buhler to Retire, Leaving Tudor Place Strengthened

January 22, 2015

Knot Garden with Arbor by Ron Blunt

Knot Garden and Grape Arbor [CREDIT: Ron Blunt Photography]

A Change in Leadership

Leslie L. Buhler has announced she will retire as Executive Director of Tudor Place at the end of June 2015 after 15 years of transformational leadership. Since 2000, Leslie created on the historic site an engaging and educational modern museum serving a diverse audience of Washington-area residents, visitors to the nation’s capital, and a worldwide digital audience. A professional search for her successor is underway.

Executive Director Leslie BuhlerTudor Place was completed in 1816 by Thomas Peter and his wife Martha Custis Peter, a granddaughter of Martha Washington, and is noted for its architecture, archive, and extensive collections, including more than 200 items owned by Martha and George Washington. Now a National Historic Landmark on five and a half acres in Georgetown, the estate had been open to the public 12 years when Leslie took the helm. Her innovations and accomplishments included establishing regular tour hours and appropriate zoning as a permanent museum; building a rich schedule of education programs; undertaking archaeological explorations into the site’s past; and transferring many museum operations outside of the historic house so it could be properly preserved and interpreted.

“I’ve experienced great professional and personal satisfaction in advancing one of the greatest house museums in the nation’s capital, bringing attention to the extraordinary collection and archive it holds, and engaging the public with wonderful historic and cultural resources unique to Tudor Place,” Leslie said. “I look forward to the next chapter in my life knowing that the museum is stronger and poised to successfully complete a capital campaign to ensure its future as a 21st century museum.”

Assessing, Repairing, Readying for the Future

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When Leslie came to Tudor Place, it badly needed repair and restoration. First tackling deferred maintenance and undertaking studies to assess restoration needs, she led a forward-thinking effort to develop a Master Preservation Plan to secure all the site’s historic and cultural assets. A first phase of work on the National Historic Landmark house was funded by a $3.5-million campaign funded in part by awards from Save America’s Treasures and the D.C. Government. In addition, Leslie advanced conservation of the landscape, collection, and archive and also built a strong, competent staff charged with continuing the museum’s momentum.

“Tudor Place has benefited enormously from Leslie’s outstanding leadership and engagement with the community,” said Geoffrey B. Baker, President of the Board of Trustees. “She has led the institution through a major assessment and planning process and developed an educational component that engages young and old with the powerful lessons of American history and culture. It is with profound gratitude that we wish Leslie well.”

Building Audiences, Collections, and the Institution

2 students with shardFrom early in her tenure, Leslie made it a priority to increase and diversify the visitor pool while enlarging the museum’s core supporters, and she broadened the museum’s reach into the local community through a lively education program. These efforts substantially increased visits by Washington-area children, families, young adults, and seniors. The dynamic school program introduced under her leadership now reaches 3,000 children each year.

Augmenting the collection, Peter family members gave several significant gifts during Leslie’s tenure. These include a collection of rare books from the original library of Martha and Thomas Peter and a William G. Webster pocket watch that Martha and George Washington gave Eleanor Calvert upon her marriage to Martha Washington’s son, John Parke Custis.

Leslie’s contributions also include judicious management in expanding the museum’s budget, increasing reserve funds, and raising monies from private and public sources to increase the capacity of the museum’s conservation, education and outreach programs.

Thank you for your support of Tudor Place.

“Tradition”? Finding Surprises in Christmases Past

Those age-old Christmas “traditions” we revel in – how traditional are they really? Whether we celebrate the holiday or not, most of us consider Santa Claus, Christmas trees, and paper-wrapped gifts almost timeless. But like the American melting pot itself, many holiday staples came from overseas and changed over time. See for yourself how customs change, during the festive installation, Red, Green & Gold, The New and the Old, running through December, as Tudor Place “Sparkles for Christmas” — on view during all regular tours and seasonal programs.

Throughout the 1816 mansion, compare nearly 200 years of celebrations with your own winter pastimes and family gatherings. And feast your eyes on sparkling décor that imagines how it would have looked if the home owners, the Peters, were decorating today. You will leave with much to think about and appreciate!

This creative installation melds 21st-century decorations and Peter family collections to celebrate the Washington-Custis lineage and contemporary flair. Few written descriptions or photographs show how or if the Peter family decorated, so our Collections team drew inspiration from the family’s interest in horticulture and nature. That’s why you’ll find lush greenery and more than 100 feet of lights alongside classic standbys like the circa-1910 goose-feather tree and fragile but playful pressed-paper ornaments made more than a century ago.

The weeks leading to December 24 appear to have been far quieter than our modern hail of festivities and engagements. As a student at Saint Albans School, Armistead Peter 3rd in 1914 described dinners, dances, and other family socializing at Tudor Place that commenced only on Christmas Day and ran through New Year’s. Still, the Peters lavished great attention and expense on their celebrations. Grocery invoices from 1926 in the archive show that they spent $322.88 – about $3,500 in 2013 dollars – on Christmas and New Year’s dinners alone.

In the 1920s office, you will find holiday greeting cards, also from the Archive. Though Christmas cards have been in circulation since the mid-1800s, they became a holiday ritual only in the early 1900s, supplanting the practice of giving small trinkets to friends. Another use for paper in the late 19th century was for small candy holders; vintage examples of these chromolithographs are also on view in the office.

In the Children’s Bedroom upstairs stands the goose-feather tree, imported from Germany. The tradition of live and faux indoor trees came from Europe in the 19th century, but mistletoe and holly sprigs were already popular here for decorating. Vendors began selling decorative greens in quantity at public markets in Washington in the 1870s and 1880s. You will see them in the house today and might want to pass with someone special under one of the mistletoe “kissing balls” that hang between the Saloon and adjacent reception rooms. In 1923, with the spread of electrification well underway (Tudor Place was wired in 1914), President Coolidge lit the first “national Christmas tree.”

Under their trees at home, children in the late 1800s might have found books, dolls, roller skates, sleds, baseball mitts or board games. Many such items are preserved in the Tudor Place toy collection, and you’ll find them beneath the feather tree. It was only in 1900 that paper gift wrap began to appear, usually in solid colors. (White tissue with red ribbon was most popular.) In the 1920s, however, printed patterns emerged – you can view examples from the 1950s in the Servant’s Sitting Room.

Felt stockings on the Parlor mantel today would have first appeared there after World War I and were probably purchased by the two last generations of Peters to live in the mansion, Armistead Peter 3rd, his wife Caroline Ogden-Jones Peter, and their daughter Anne. After opening presents on Christmas morning, the family would have retired to this room for a late breakfast and tea.

Tudor Place domestic staff were most numerous from 1918 to 1923, the years surrounding the marriage of Armistead the 3rd and Caroline. Their number included African-Americans and immigrants from Ireland, Italy, England, and Russia, most of whom lived off-site. Well paid for the time, as demonstrated by Peter family records in the archive, they may have received bonuses at Christmas and other holidays. In the Servants’ Sitting Room, where gift wrapping is under way, the traditional Irish Christmas candle in the window welcomes those looking for shelter.

In the Kitchen, you can visualize the staff bustle as preparations are underway for a family feast. Recipes and receipts in the archive include a name familiar to modern D.C. shoppers: Bills from John H. Magruder Fine Groceries and other invoices show that the family’s 1926 Christmas turkey weighed 13½ pounds and was served with beef. Festive meals around 1920 were served à la Russe, with staff serving and clearing dishes one by one, a job that probably fell to butler Jacob Taube. After Taube’s departure, the Peters appear – like most of us – to have mostly served themselves.

Cakes and roasts have never fallen from fashion, but the Peter family table also bore dishes less common today. The plum pudding and figs on the Kitchen tables may be faux (made by Artist-in-Residence Peter Waddell), but the Chocolate Plum Pudding recipe on the baking table comes from a 1915 cookbook actually owned by the Peters, Knox Sparkling Granulated Gelatine Makes Desserts, Salads, Puddings, Sherbets, Jellies, Ice Creams, and Candies. The handwritten eggnog recipe likewise comes from the archive, and on the wooden table beside the door is another family recipe, typed in the early 1900s, for “Sweet Stuffing for Turkeys, Capons, or Chickens.”

Through December 2015, these holiday vignettes and the collections riches that surround them will be on view on all regular tours (docent-guided and offered hourly, Tuesdays through Sundays), as well as at Tudor Nights on December 4 and the festive Holidays Through History four-museum open house on December 6. Take a break from the season’s hubbub and rush to enjoy the panorama of holidays past, adding fun, elegance, and a taste of history to your own celebrations!

Tudor Place Friends and Collaborators Celebrate National Preservation Award

Current and past staff members, consultants, conservators, and other supporters gathered June 18 to celebrate the bestowal on Tudor Place of the coveted Ross Merrill Award for Outstanding Commitment to the Preservation and Care of Collections. Cool wine and beverages offered relief from the heat for the 64 guests gathered for the awards ceremony, catered reception, and socializing in the Dower House administration building.  In recognition of a conservation focus that permeates all aspects of the house, collection, and grounds, select museum areas were open for viewing, with the spotlight on collection pieces that have received special conservation care.

“Tudor Place excels in telling its story,” enthused Eryl Wentworth, executive director of the American Institute for Conservation of Historic and Artistic Works (AIC) as she presented the award jointly with her counterpart from Heritage Preservation. The Merrill Award confirms Tudor Place’s reputation for a level of collections stewardship more often found in far larger institutions. Past recipients include the National Archives and Records Administration, Shelburne Museum, and Museum of Fine Arts, Boston, and the Colonial Williamsburg Foundation, among others. So selective is the awards committee, according to the AIC director, that in some years, since it was first presented in 1999, the prize was not awarded at all.

Since Leslie Buhler became executive director of Tudor Place 14 years ago, Ms. Wentworth said, “[I] have watched and applauded her stewardship of this remarkable site… There is no question in anyone’s mind–Tudor Place well deserves the honor of receiving this special award.”

In his remarks, Heritage Preservation President Larry Reger praised the long-term focus on preservation concerns that recommended Tudor Place to the committee. “Even in the early years of its transition from private ownership to a public institution, the Tudor Place Foundation made it a priority to ensure there was a sustained review its collections and archives,” he noted. The award recognizes, the comprehensiveness and systematic nature of the museum’s collections care, the daily attention devoted to it from an expanding collections staff, cultivation of strong board support, and the engagement of conservators, preservation architects, architectural historians, archivists, engineers and others with necessary skills.

In accepting the award, Ms. Buhler alluded to the capital campaign and Master Preservation Plan that will undergird the museum’s future. “What we collectively have achieved in the past is truly remarkable, but it is what we must achieve in the future that will secure Tudor Place,” she said, noting, “we are not celebrating in the main house tonight because of the heat. Not only is the heat dangerous for visitors and staff, but heat extremes cause fluctuations in humidity that damage the collection and archive.”

The proposed master plan includes HVAC modernization and other practical improvements crucial to conservation and preservation of valuable objects and structures, she noted, adding, “This is the future of Tudor Place, one that is imperative to secure if we are to continue to exist as a public museum.”

All images © AVANTphotoDC.

Lives Measured in the Garden: “As Time Goes By”

· Family and Friends ·

Armistead Peter Jr., the third owner of Tudor Place, cherished the labors and traditions of the estate’s landscape. His grandmother, Britannia Wellington Peter Kennon, inherited the property from its founders, her parents. She taught her grandchildren to honor these forebears and in many ways Armistead Peter Jr. measured out his own life by following the garden’s rhythms and answering its demands. This essay by Archivist Wendy Kail traces intergenerational change within the Peter family through diaries, notes, and the natural history of Tudor Place.

A mid 20th-century view of the Box Knot rose garden, where time’s passing registers on the face of a sun dial from Crossbasket Castle.


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Showers and Smiles: The 22nd Annual Garden Party Makes a Splash

OUT: Air kisses. IN: Hugs. This is the trend statement from the 22nd Annual Tudor Place Garden Party fundraiser…

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Niente was delighted to receive a handsome oil of Tudor Place painted by Trustee Andy Williams.

From the receiving line on into the grand party tent and out on the freshly “watered” (by rain!) South Lawn, Honoree Niente Ingersoll Smith set the tone. She and her kin — including daughter Liz Dougherty as a Party Co-Chair — embraced throngs of friends, relations, and supporters as they arrived to celebrate Niente and the museum for which she has done so much. The 500-strong crowd and generous corporate sponsors enabled the party to surpass by some $20,000 its fundamental mission of raising $250,000 for the Tudor Place Annual Fund.

Co-chairing with Liz were the tireless and stylish Page Evans and Colman Rackley Riddell, who served also presided over the beautiful 2013 Garden Party. Trustee President Timothy Matz, ending his term as board president, helped anchor the receiving line, along with Executive Director Leslie Buhler. Council Member Jack Evans joined dignitaries on the dais and praised Tudor Place for its contributions to education and well-being in our city.

Also announced from the dais was news of a coveted prize, the 2014 Ross Merrill Award for Outstanding Commitment to the Preservation and Care of Collections, recognizing  Tudor Place’s consistent and systematic work over decades to preserve and care for the historic and cultural assets belonging to the National Historic Landmark. The award, which will be formally presented June 18, 2014, seemed a fitting announcement to accompany the celebration of Niente as a longtime supporter of preservation.

Tudor Place Recognized with National Award for Preservation and Collections Care

 

FOR IMMEDIATE RELEASE

CONTACT

May 21, 2014 Communications Officer Mandy Katz
202.486.7645 | mkatz@tudorplace.org

The Tudor Place Foundation has been honored with the 2014 Ross Merrill Award for Outstanding Commitment to the Preservation and Care of Collections at Tudor Place Historic House & Garden. The award, established in 1999, is presented jointly by Heritage Preservation and the American Institute for Conservation of Historic and Artistic Works (AIC). Recipients are selected by a panel of distinguished preservation and conservation experts from across the nation.

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Curator Erin Kuykendall and specialist Mark Adler preserved and made minor repairs to an 1804 Broadwood & Son pianoforte.

The Ross Merrill award recognizes the systematic and strategic work of Tudor Place over the years to preserve and care for all its historic and cultural assets belonging to the National Historic Landmark. Since it assumed ownership of Tudor Place in 1984 from its last private owner, the Foundation has committed itself to inventorying, cataloguing, assessing, and conserving its historic and cultural assets – the buildings, object collection, archive, book collection, and landscape – and expanded its collections staff from one person to three. In recent years, significant effort has enabled a comprehensive Master Preservation Plan that will permit the public’s engagement with the museum’s assets while also protecting them.

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Conservator Greg Byrne and Erin Kuykendall compare X-radiographs and a wax figure from a tableau created for Martha Washington. Additional funding is sought to complete this significant project.

“It is an honor to see the often quiet work of many years recognized with this highly coveted award,” Executive Director Leslie Buhler said. “Heritage Preservation and the AIC are internationally renowned for their work to preserve our country’s cultural resources. We are gratified to see Tudor Place recognized for its contributions toward that goal.”

Tudor Place has clearly demonstrated its commitment to protecting, preserving, maintaining, and interpreting its historic property and collections. Beginning in 1990 with a Conservation Assessment Program grant, the museum has methodically assessed its holdings.  From 2004 to 2011 alone, the organization solicited the help of more than a dozen conservation professionals to assess the condition of its collections. In addition, staff are tasked with conducting a detailed condition assessment of every object on display annually.

The museum’s dedication to better understanding its collections has allowed it to identify deliberate short and long-range conservation goals and priorities. This attentiveness has also served as the impetus for the museum’s comprehensive polices and plans throughout the years from the implementation of an integrated pest management plan in 1996 to improved environmental monitoring in 2007. In fact, in 2008 Tudor Place created a Master Preservation Plan that outlines clear goals for the site and primacy on preservation best practices.

Jennifer A. Zemanek, a textile conservator who worked with Tudor Place on conserving a 1783 shell and waxwork tableau, commended the board’s and staff’s “…enthusiasm, patience and diligence in tackling this very complex conservation project, ultimately making decisions that exemplify Tudor Place’s absolute dedication to the preservation and conservation of its collections.”

The award committee was also impressed by the museum’s conservation-focused outreach activities both for its own staff and the general public. Tudor Place’s collections team—which has grown from one staff member to three since 2000—works collaboratively with all departments to inform staff of preventive steps they can take to ensure events, tours, and educational programs do not harm the grounds, house, or collections. Through newsletters, public reports, and programs, the general public is also informed of the museum’s conservation efforts.

“The Museum’s sustained commitment to issues of preservation is truly impressive,” said Lawrence L. Reger, Heritage Preservation president. “I, along with AIC, applaud the Tudor Place for its achievements and commend both its board and staff for their tireless efforts.”

The Ross Merrill Award for Outstanding Commitment to the Preservation and Care of Collections will be presented during a ceremony at Tudor Place Historic House and Garden on Wednesday, June 18.

The Award

The Ross Merrill Award for Outstanding Commitment to the Preservation and Care of Collections has been presented on an annual basis since 1999. Previous recipients include nationally prominent organizations such as Colonial Williamsburg and the Museum of Fine Arts, Boston, and smaller institutions such as the Historical Society of Frederick Country (Maryland) and Maymont Foundation (Richmond, Virginia). In 2012, the Alaska State Museum and the Harness Racing Museum and Hall of Fame received the award. The Indianapolis Museum of Art was also a recipient of the 2013 award.

About AIC

The American Institute for Conservation of Historic and Artistic Works is the national membership organization of conservation professionals dedicated to preserving the art and historic artifacts of our cultural heritage for future generations. AIC plays a crucial role in establishing and upholding professional standards, promoting research and publications, providing educational opportunities, and fostering the exchange of knowledge among conservators, allied professionals, and the public. Learn more about AIC at www.conservation-us.org.

About Heritage Preservation

Heritage Preservation is a nonprofit organization dedicated to preserving our nation’s heritage. Its members include museums, libraries, archives, and other organizations concerned with saving the past for the future. Learn more about Heritage Preservation at www.heritagepreservation.org.

Presentation of the award will take place at a reception at Tudor Place on Wednesday, June 18, 2014. Attendees will include many of the several dozen conservators, advisors, donors, staff, and past employees who have contributed to conserving and preserving Tudor Place’s assets.

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1st Annual Tree Fest Celebrates the Tudor Place Canopy

 

Tulip poplar in fall

March 29, 2014 | 10 a.m. to 3 p.m.

Register Now

The shelter and dignity of the property’s historic trees — and the risks they face from the violent weather of recent years — have inspired a new event at Tudor Place: a Tree Fest, free and open to the public. Our local environment and the canopy of heritage trees are the focus, and there will be something for everyone!

  • An artisanal Market Fair offering sustainable merchandise and information from people and organizations working on behalf of the environment and landscape.
  • For families, puppet shows at 11 a.m. and 1 p.m., and games and crafts all day.
  • A 1 p.m. guided walk with tree expert Melanie Choukas-Bradley, author of City of Trees, will help you learn to understand and identify local species.
  • A chance to say “hello” to the newly planted white oak tree! It replaces the two-century-old specimen lost last year to age and storm damage and represents Tudor Place’s ongoing investment in the tall trees of tomorrow.

NOTE: Public transportation recommended. Tudor Place is easily reached by bus, Metro and a short walk, and bicycle (including Bike Share).

Vendor Information

Now taking vendor registrations for October! The Tree Fest is fully subscribed, but we are taking registrations from vendors and organizations now for the October 18 Fall Harvest Fest, also free and open to the public. Are you a talented regional artisan or food purveyor? Do you have crafts, merchandise, creative eats, and/or useful information to offer? Please contact us today!

Seasonal Themes and Installations

 

Something for every taste and season!

Schedule your visit around these special installations! Tudor Place tours offer immediacy and authenticity. Now, there’s more! Don’t miss these seasonal displays, included at no extra charge in every tour, of rare Collections objects, each with a story of its own. And any time we’re open, come to the Visitor Center at no charge to see a display of photographs of Tudor Place in the snow, 1910-1913, taken and printed in silver-nitrate format by the estate’s last owner while he was a teenager.

 

FDR White House Invitation

A Visit With the Presidents

FEBRUARY + MARCH

Requesting the pleasure of your company…  From documents like the Franklin Roosevelt White House invitation at left, to porcelain that graced the very first Presidential table, Tudor Place is filled with ties to the highest office in the land. Rare artifacts and little known stories are part of this two-month tour component. Admission half-price throughout February!

 

Floral plate, 19th century
Gardens In & Out

APRIL – AUGUST

Through six generations, the Peters of Tudor Place turned their focus beyond the 1816 mansion to their multi-acred landscape. This fresh and fascinating tour installation reveals how the family drew inspiration for their indoor lives from the lush “rooms,” heritage trees, and garden beds they cultivated outdoors. Drawing from the museum’s voluminous Collection and Archive, the tour highlights botanical images and ideas found in books, cards, magazines, textiles, and china.

 

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Eating Local — Feeding the Urban Estate

SEPTEMBER – NOVEMBER

Harvest and the Smokehouse are the focus for fall across the 1816 Landmark site, from the newly restored ca. 1795 smokehouse to the historic kitchen and 5½-acre gardens that once helped sustain owners and workers on this iconic urban estate. Agricultural implements will be on view, along with the kitchen preparations and table setting for a fine 1830s family dinner featuring the best of the smokehouse’s yield, ham and sausages. Also view related collections items including ceramics, housewares, diaries, receipts, and recipes, all chronicling domestic life in the city since the days when hay grew on the South Lawn. Learn about early “locavorism” on all regular tours (offered hourly), at special events, and when you visit the garden and newly opened Smokehouse. What better way to understand how land, labor, and urban larders have evolved since our city’s earliest days?

 

Dining table holiday centerpiece
Red, Green & Gold: the New and the Old
   Tudor Place Sparkles for Christmas

THANKSGIVING – DECEMBER 31

Experience the best of tradition and 21st-century flair over the holidays in the National Historic Landmark mansion. This seasonal installation in their onetime home imagines how the Peters would have decorated for a modern Christmas, blending heirloom spaces and collections with modern style in winter greenery, ribbons and bows, and the sparkle of lights and color.

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