Tudor Place Archaeology Survey Earns Excellence in Historic Preservation Award

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Staff receive DC Historic Preservation Award

Press Contact:
press@tudorplace.org
Website: https://tudorplace.org/
Tudor Place Historic House and Garden
1644 31st Street NW
Washington, DC 2007

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FOR IMMEDIATE RELEASE
June 18, 2012

Washington, D.C. – June 18, 2012 — For its intensive site-wide archaeological survey, Tudor Place Historic House & Garden has been awarded the District of Columbia Historic Preservation Office’s Ninth Annual Award for Excellence in Historic Preservation. The museum’s executive director and Trustees and representatives of Dovetail Cultural Resources, which carried out the work, will accept the prize for Archaeology this Thursday, June 21, at the Sixth and I Historic Synagogue. Seventeen other prize categories include Stewardship, Design & Construction, Publications, and Affordable Housing, among others. Former Historic Preservation Review Board Chairman Tersh Boasberg will also recceive a Lifetime Achievement Award.

“We are thrilled to be recognized for this foundational survey that informs interpretation of the site and the larger scholarship on houw suburban estates of the early 19th century functioned,” said Tudor Place Executive Director Leslie Buhler. “Archaeology is a critical component of our research. We look forward to what further excavations will reveal.”

The project revealed more that 800 artifacts from the 18th through mid-20th centuries. It also offered clues to the location of possible slave quarters, what may have been a burned barn, and a small brick dwelling on the 1816 National Historic Landmark site.

The “Phase 1” survey, completed in May, covered the propertys full 5.5 acres. Dovetail Cultural Resources conducted it for Tudor Place with funding from the Clark-Winchcole Foundation. The project met goals including identifying past building sites; locating (for reference in future improvements) areas without significant subsurface cultural significance; and providing archaeological context for past and future excavations. It consisted of a pedestrian survey, close-interval subsurface “shovel tests” to recover artifacts, and mapping of all points of interest using GPS.

The survey was one of several preservation and conservation projects begun or completed at Tudor Place in 2011. Others, to cite just a few, focused on Martha and George Washington’s unique tabletop plateau and their waxwork (already the source of a rare decorative artifact); the architecturally noteworthy Temple Portico; and the Box Knot Garden once tended by Tudor Place’s original owners. All such endeavors by the Tudor Place Foundation provide documentation for school programs, educator workshops, public programs, and scholarly research.

Located in Georgetown’s Historic District, this National Historic Landmark is a house museum distinguished for its neoclassical architecture, decorative arts collection, and five-and-a-half acre garden. Built in 1816, it was home to Thomas Peter and his wife, Martha Custis Peter, granddaughter of Martha Washington. It housed six generations of the Peter family over the course of 180 years. Now, open to the public, the historic home is one of our nation’s hidden gems. For details visit https://tudorplace.org/

Tudor Place Garden Restoration Heralds Commitment to Long-Term Preservation

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Press Contact:
Communications Officer
Mandy Katz, mkatz@tudorplace.org
Mobile: 202.486.7645
Website: www.tudorplace.org
Tudor Place Historic House and Garden
1644 31st Street NW
Washington, DC 2007

Download the PDF

FOR IMMEDIATE RELEASE
May 9, 2012

Washington, D.C. – May 9, 2012 — Tudor Place Trustees, neighbors, and other supporters gathered yesterday evening in the historic Georgetown estate’s North Garden to dedicate the National Historic Landmark’s newly restored Box Knot Garden. The project restored the feature to its appearance in 1933, which itself replicated its earliest incarnation.

“This is the first significant garden restoration to be completed at Tudor Place since it passed out of private hands in the 1980s,” said Executive Director Leslie Buhler. “On a practical level, the restoration enables more sustainable horticultural practices and helps ensure this historic feature’s hardiness and growth. On a symbolic level, it exemplifies the high standards we have established for site-wide preservation efforts.”

Such improvements are only achieved through the help of dedicated donors, noted Geoffrey Baker, Vice President of the museum’s Board of Trustees, during the ribbon-cutting ceremony. He thanked J. Bruce Whelihan, Trustee of The Ruth S. Willoughby Foundation, for the significant grant that funded theproject.

Mr. Whelihan praised the Box Knot restoration as a positive step toward ensuring the entire site’s future. A Tudor Place Trustee, Mr. Whelihan noted, “These are exciting times with plans under development to fully preserve the house, collection, and garden and, at the same time, provide exhibition and dedicated education spaces.”

The restoration echoes an effort undertaken in the 1930s by owner Armistead Peter, Jr., and his son Armistead Peter 3rd. They recreated in large part the original 1816 Box Knot once tended by Martha Custis Peter, granddaughter to Martha Washington, and her husband Thomas Peter, the home’s founding owners. In recent years, the garden’s geometric hedges inlaid with rose bushes were increasingly stressed by poor drainage and changing climatic conditions, requiring frequent watering.

Director of Gardens & Grounds Suzanne Bouchard, who guided the restoration, described to attendees how the plant beds were excavated and their shrubs replaced with a new variety of boxwood more suited to D.C.’s climate. Roses, including specimens dating to the home’s earliest years, were temporarily removed and restored to their original locations, where they are now blooming prodigiously.

Located in Georgetown’s Historic District, this National Historic Landmark is a house museum distinguished for its neoclassical architecture, decorative arts collection, and five-and-a-half acre garden. Built in 1816, it was home to Thomas Peter and his wife, Martha Custis Peter, granddaughter of Martha Washington. It housed six generations of the Peter family over the course of 180 years. Now, open to the public, the historic home is one of our nation’s hidden gems. For details visit www.tudorplace.org

Tudor Place Times · Spring 2012

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Georgetown Current · Tudor Place additions still proe divisive

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Preserving the Past, Ensuring the Future: ANC 2E Reviews Tudor Place Concept Design

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Press Contact:
Communications Officer
Mandy Katz, mkatz@tudorplace.org
Mobile: 202.486.7645
Website: www.tudorplace.org
Tudor Place Historic House and Garden
1644 31st Street NW
Washington, DC 2007

Download the PDF

FOR IMMEDIATE RELEASE
February 27, 2012

Washington, D.C. – February 27, 2012 — A concept design by Hartman-Cox Architects advancing Tudor Place’s
preservation plan is scheduled for review this evening by ANC2E. This concept design for the
National Historic Landmark and its remarkable collections addresses the needs of the historic site
and responds to remarks from the DC Historic Preservation Office, Old Georgetown Board,
National Park Service, National Historic Landmark Office, and the community. The ANC2E last
reviewed the preservation plan’s site plan at its July 2011 meeting, prior to its consideration by the
OGB.

“It is vitally important that Tudor Place begin implementation of the Master Plan to assure the long
term preservation of the property and its collection,” according to Peter May, National Park Service
associate regional director for Lands, Resources, and Planning (National Capital Region). With
respect to the concept design being presented today, he noted, “The location, massing, detailing all
work to minimize their impact on the property and respect the spatial organization of the historic
landscape.”

For 183 years, six generations of one family lived at Tudor Place and safeguarded its history. As the estate’s succeeding owner, the Tudor Place Foundation similarly seeks to preserve and protect the
property in accordance with best practices for museums and historic sites.

As guiding principles, the Foundation took great care in the concept design to ensure that any new
construction: does not adversely impact historic structures on the site; preserves view sheds to and
from the main house; adheres to terms of the easement held by the National Park Service: and does
not alter key historic landscape features identified in the Cultural Landscape Report prepared by
Heritage Landscapes (the South Lawn, Service Court, Dell, and North Garden).

Tudor Place Executive Director Leslie Buhler notes that the concept design will protect Tudor
Place’s historic resources in accordance with current standards for historic sites. These include the Secretary of Interior’s Standards for the Treatment of Historic Properties and the New Orleans
Charter for the Joint Preservation of Historic Structures and Artifacts, a foundational document for preservation accepted as a national standard for historic houses. “This National Historic Landmark takes seriously its obligation to preserve the many historic resources of the site according to best practices,” Ms. Buhler remarked.

“Without better protection of all its cultural resources, Tudor Place is at risk,” she warned.
“Protecting the main house requires installation of modern fire-protection and updating 1914
mechanical and electrical systems. To preserve the house’s original fabric, we must relocate staff
functions, collections storage, and visitor service facilities from the building.”

Added Ms. Buhler, “The collections and archives likewise require upgraded storage to meet even
minimal museum standards. Small closets, bathrooms, the basement, and the attic all currently
serve as storage spaces. This is unacceptable.” Such spaces are susceptible to flooding, insect
infestations, and extremes of temperatures and humidity, Ms. Buhler elaborated, all of which can
destroy objects and documents. In one alarming example, temperatures ranged last year between
37 and 115 degrees in a primary collection storage area.

With its great cultural resources and innovative education programs, Tudor Place is an important
institution serving the Georgetown community and beyond. The revised concept design developed
by Hartman-Cox Architects lightly touches the site and its surroundings while meeting the
demands of responsible stewardship.

Located in Georgetown’s Historic District, this National Historic Landmark is a house museum distinguished for its neoclassical architecture, decorative arts collection, and five-and-a-half acre garden. Built in 1816, it was home to Thomas Peter and his wife, Martha Custis Peter, granddaughter of Martha Washington. It housed six generations of the Peter family over the course of 180 years. Now, open to the public, the historic home is one of our nation’s hidden gems. For details visit www.tudorplace.org

Early American Wallpaper Recovered from George Washington Waxwork

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Press Contact:
Communications Officer
Mandy Katz, mkatz@tudorplace.org
202.965.0400 ext. 112
Website: www.tudorplace.org
Tudor Place Historic House and Garden
1644 31st Street NW
Washington, DC 2007

Download the PDF

FOR IMMEDIATE RELEASE
January 25, 2012

Washington, D.C. – January 25, 2012 — Tudor Place Historic House & Garden conservators andcurators received a rare glimpse of early American interior design this week with the discovery of a well-preserved sample of block-printed 18th-century wallpaper. The roughly 10-inch piece had been used on a handmade cabinet belonging to George Washington and his wife. Martha Washington’s granddaughter, Martha Custis Peter, and her husband, the founders of Tudor Place, purchased the cabinet in 1802 from Mrs. Washington’s estate.

The wallpaper had covered the top of the Washingtons’ piece, a wax and shellwork tableau
crafted by New York entrepreneur Samuel Fraunces in the 1780s. Its discovery and
conservation portend other valuable insights likely to emerge from study of the Fraunces
piece, which is undergoing a two-year, $37,400 conservation project involving specialists
in wax, textiles, and paper. The Richard C. von Hess Foundation, based in Philadelphia,
Pennsylvania, is funding the project.

“We are thrilled with this significant discovery and look forward to further research
opportunities presented by the samples,” said Tudor Place Executive Director Leslie
Buhler.

Adding further interest to the paper’s discovery are indications that it was manufactured
by a burgeoning domestic industry, rather than in England. A few American wallpaper
manufactories were established by the end of the 1700s, and some produced papers that
surpassed the quality of British or French imports, notes Curator of Collections Erin
Kuykendall. “The simple, repeating floral pattern printed in pink and green is typical for
late eighteenth-century American-made wallpapers,” she said. “Further research may help
identify a specific American manufacturer or retailer.”

Decorating walls with printed papers from England, France, or America was common in elite and middling American households by the late 1700s. Samples rarely survive, however, due to paper’s inherent fragility and householders’ tendency to remove or paint it over time. And samples like this one, over 10 inches in length and bearing multiple design repeats, are particularly rare. Wallpaper samples that do survive are most commonly found sealing the backs of picture frames, covering and lining books, or lining the interior of boxes and trunks, making this an unusual find.

The waxwork paper sample bears a polychromatic floral-and-vine stripe design block printed on laid paper and appears to be torn around the edges. Conservators found it under two additional layers of paper applied over time. The middle piece was a monochromatic blue wallpaper of a lesser quality in extremely poor condition. The outermost layer consisted of a patterned wallpaper dating stylistically to the mid-19th century that had been cut into multiple pieces and attached in a sort of patchwork.

“We were surprised by the excellent condition of the eighteenth-century paper, despite a
significant accumulation of soiling trapped above and below the layer,” noted conservator
Nancy Purinton, of Purinton Preservation, Inc. During the three days removal process,
conservators first humidified the layers to relax the adhesive binding them. Next, using
special spatulas, they gently lifted each layer onto a piece of archival fabric inserted
beneath it. Using the fabric as a support, they then lifted each paper away from the wooden
case.

The wallpaper removal is one of many complicated procedures involved in the overall
conservation of Fraunces’s rare wax and shellwork tableau depicting the Greek warrior,
Hector, bidding farewell to Andromache as he returns to battle. Fraunces, who served as
steward of the Washingtons’ presidential household in Philadelphia, operated Manhattan
enterprises including the Queen Charlotte’s Head Tavern near Wall Street and the former
Vauxhall pleasure gardens on the Upper East Side.

Located in Georgetown’s Historic District, this National Historic Landmark is a house museum distinguished for its neoclassical architecture, decorative arts collection, and five-and-a-half acre garden. Built in 1816, it was home to Thomas Peter and his wife, Martha Custis Peter, granddaughter of Martha Washington. It housed six generations of the Peter family over the course of 180 years. Now, open to the public, the historic home is one of our nation’s hidden gems. For details visit www.tudorplace.org

Tudor Place Times · Winter 2011

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American Spirit · Faux Holiday Feasts

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Tudor Place Times · Fall 2011

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